Archive for the ‘Musick’ Category

Compound Eye, “Origin of Silence”

Musick | Posted by jmoore
Feb 13 2012

compound-eyeThe ringing of the bells and the long carrier tone that eventually emerges beneath it signals the beginning of a descent into the underworld. Two tracks on each side carry me down an icy river of song. The ingredients are minimal, but a good cook can do a lot with just a few things, and I never felt heavy or gross from a cluttered presentation or an over-saturation of fatty content. This sonic fuel burns clean. And like any good meal the nourishment derived from the listening experience strengthened my nervous system, while none-the-less tuning it to alien frequencies. Here is an example of automatic music, and the methodology produces similar unconscious material as that evoked in automatic writing. It all makes for a fascinating foray into electronica as prepared by such experienced exemplars of the craft as Drew McDowall and Tres Warren.

I’m sure there are psychic messages contained in the coiling grooves of this clear vinyl LP. Being of a transparent nature they seep into my brain in slow trickle of melting tones a little over a half hour long. Yet that time stretches out and dilates in strange ways. The clock keeps ticking but my subjective experience of it is wobbly. I find myself looking for landmarks in “A Terrain of Constant-Low Intensity” and it is in this piece that I find most of them. The steady rhythm of bells starts out fast. Then, as the warm fuzz of an over-driven tube amp drone comes along, sound events slow down, moving into the supreme moment of kairos. And to me, this is what all excellent music will do: take me out of myself and the concerns of my daily trivial mind and into a moment of emergence where the deeper strains of true thought live. Again, this is akin to automatic writing in the way a steady stream is brought forth from deep chthonic currents.

…Read the Rest On Brainwashed.com…

Stone Breath / Mike Seed with the Language of Light

Musick | Posted by jmoore
Jan 30 2012

stonebreath-mike-seedTwo sides of a paranormal equation are presented in this cluster of songs. Decorated with primitive drums, avant drones, eclectic voices, and an array of stringed splendor, the two groups arrive at a meeting ground in the crossroads, with the arcane formulas of folk magic flowing down one street, and the poetic musings of a post-modern bard immersed in his lyrical wonderland on the other. Where one is ecstatic in the throes of Dionysian abandon, the other zones out into a haunted, rarefied Aethyr.

On the first side of this split 12” the group Stone Breath cauterized my wounded soul with the mythic sounds of their merrymaking. Playful and serious, reminiscent of wood elves and fey kicking around on some hand drums, banjos and dulcimer at a moonlit barn dance; the freshly painted hex sign above the wide double doors is charged by their sonorous vibrations, and the lunar light.

…read the rest on Brainwashed.com…

David Tibet receives Brainwashed’s Lifetime Achievement Award

Musick | Posted by jmoore
Jan 02 2012

 The results are in from Brainwashed’s annual readers poll. It should come as no surprise that Tim Hecker won the album of the year position with his excellent Ravedeath 1971 out on Kranky. For anyone who hasn’t heard it, do yourself a favor and go pick up this record of austere piano noise heaven.

David TibetThe staff at Brainwashed this year have given the lifetime achievement award to David Tibet. Here is what I have to say about one of my own personal heros:

David Tibet expanded not only my musical universe but my literary life as well. When I started delving into the albums of Current 93, I looked up as many the references as I could find and read the books that he loved, from Russell Hoban’s Riddley Walker (a big influence on one of my favorite Current 93 albums, Of Ruine Or Some Blazing Star) to Lautreamont’s Maldoror and the dark joys of Thomas Ligotti. The same is true for his musical tastes. I can’t hardly imagine what my own musical life as a listener would be like if I hadn’t been turned on by Tibet to the wonders of Shirley and Dolly Collins, to Comus, the Incredible String Band, and so many others. Tibet simply has excellent taste.

Tibet has always pursued a very personal vision. In the course of sharing that vision though he has championed the work of so many other musicians and artists I can’t count them on my fingers and toes. In doing so he has alleviated much of the worlds audio poverty.

I also continue to be excited about his work. I’m very much looking forward to reading the collected works of Eric Count Stenbock which Tibet has poured so much energy into collecting and editing. I am also always eager to learn more about his Coptic studies and his contributions in that field. David’s hypnagogic visual art, all the tiny scribblings of many moons and thieves ascending from crosses, is also stunning. It is obvious that he works hard with no signs of slowing down.

 

Read the rest of the Brainwashed writer’s comments and see the rest of the results of the 2011 Brainwashed Readers Poll.

Current 93 Present Harry Oldfield, “Crystal”

Musick | Posted by jmoore
Sep 26 2011

current_93_present_harry_oldfield_crystalNo matter what a person thinks of the music of Current 93, it must be recognized that David Tibet has always been a champion of other visionaries, whether they be in the realm of music, literature, or in the case of Harry Oldfield, science and invention. The “Current 93 present” series is just one example of Tibet’s gift as a curator. In this series of discs (now out-of-print) he brings to light and showcases talents who might not otherwise have received outside their own circles. While some have been more renowned, such as Shirley Collins and Tiny Tim, others like Sveinbjörn Beinteinsson, the Venerable ‘Chi.med Rig. ‘dzin Lama, Rinpoche and Harry Oldfield have received less notice. Oldfield’s work in the development and application of electro-crystal therapy is fascinating, and this musical artifact, created in accordance with his research is a wondrous, mutli-faceted specimen.

Tibet was first introduced to Oldfield’s work by Hilmar Örn Hilmarsson (or HÖH who also mixed one of the most beautiful tracks on this release) while in Reykjavik, Iceland back in 1986. The work of Harry Oldfield is very wide ranging, but he is perhaps most well known for his pioneering work in developing non-invasive methods for the analysis and balancing of the human energy field. Chief among these methods is his innovative combination of electromagnetism with quartz crystals to create what he has called “Electro-Crystal Therapy“. There is nothing New Age about this practice. Yes, his work has been on the fringe of science, but it has gained recognition in it’s orthodox circles. After all crystals have been used for many advanced technologies including radio and computers to microphones, speakers, and lasers. That stimulating them with pulses of high frequency electricity could have a healing effect should come as no surprise. His therapy involves placing crystals in tubes containing a conductive electrolyte brine solution, and putting those tubes around certain points of the body. The tubes are then attached to an electromagnetic generator that administers electrical frequencies to the crystals. These frequencies, interacting with the crystals, then balance and normalize the human or animal energy system. Oldfield likens this process to receiving a “molecular massage.”

…read the rest on Brainwashed.com…

Coil, “Loves Secret Domain”

Musick | Posted by jmoore
Aug 08 2011

lsdcoil20 Years ago, Coil released LSD…

Last week on Brainwashed, many of the staff writers gave their views on Coil’s Loves Secret Domain. Here is my take on it…

My first experience of the music of Coil came in the mid-’90s, hearing their remixes of Nine Inch Nails songs. I tended to prefer the remixes to the NIN originals, and the versions by Coil were some of the best of those: creative and bizarre sound construction and deconstruction. Still, as remixes they were not the unfiltered visionary music of Coil proper which still allures and intrigues me to this day, a vision I fell for completely on listening to Love’s Secret Domain.

…read the rest on Brainwashed…

Temple Music, “You Will Die And Your Lives Will Have Been As Nothing”

Musick | Posted by jmoore
Jul 18 2011

temple_music-soon_you_will_all_die This offering on the altar of music is a mesmeric slow burner. It goes to work on me like a time released medication. Strains of flute, bells, and synthesizer swirls gradually encompass me, infecting my blood stream with their calmness, before the levels are elevated into a heady pulsating crispness.

Temple Music is an offshoot project started by Alan Trench of the British dark folk band Orchis and an ex-proprietor of the now deceased World Serpent label. After his first Temple Music release he was joined by Stephen Robinson. Together, on this limited release of 300, (distributed by AntiClock Records in the US, purveyors of fine titles from Language of Light, Ctephin and others), they have created an immersive sound-world blending elements of ritualistic drone, string band like avant-folk, and moments of blistering krautrock assaults. There are four movements on the disc, mixed as one continuous hour long piece.

read the rest on Brainwashed.com

The Fourth of July Revisited

Musick | Posted by jmoore
Jul 03 2011


northside_parade1I made the basis for this track on the Fourth of July, 2010.  I had some microphones hanging out the windows, and some stuff plugged into my Korg MS2000. Also some old jazz tapes Elliott gave me. I did some tampering with it, off and on for awhile, adding random samples to it from my collection of detritus, and transforming it in a number of computer programs. It’s languished on my hard drive for awhile.  Now it is time to share.

In some senses this sound piece is paying a homage to Robert Ashley, and his electronic piece “The Fourth of July” recorded on Magnetic Tape from 1960, a masterpiece of early American electronica. The track is available on the awesome boxed set “Music from the Once Festival 1961-1966” from New World Records. (Gordon Mumma is very present on the set, and their is one piece by Pauline Oliveros as well. A whole lot else besides.) Of course, I feel Robert Ashley’s electronic creation is far superior to mine, but I had it in mind when creating this. That is why it is called “The Fourth of July Revisited”. I did some more tampering with it just now, on the eve of July 3rd, so it really has been a revisitation to a track I started a year ago, finished today.

 
icon for podpress  The Fourth of July Revisted [9:25m]: Play Now | Play in Popup | Download

This track is for a potentially forthcoming something-or-other collecting various sound art pieces I’ve been working on here-and-there between my other multidimensional activities.

(The image above is from last years Fourth of July parade in my neighborhood of Northside, an annual event of much fun! The Northside Rock & Roll Festival is always a blast as well.)

Of Ganesh and Tobacco Offerings

Dream, Musick | Posted by jmoore
May 31 2011

ganesh_pipeOn May 25th I went to sleep with the intention of making contact with the local spirits of the land. This is part of my ongoing work to tune in to the genius loci of the land I live on. Around 2 AM I awoke from dreams about Wesleyean Cemetery where my wife and I had walked earlier in the preceding evening, for the first time. Next I found myself walking down a street. I see a bunch of Asian people standing in front of a building, which I take to be a kind of lodge. Then I see a man in a suit with an old gnarled elephant head, with a hat on, and smoking a pipe. He walks past and gives me a very strange look. I think that the people outside the lodge are part of the Elephant mans group -he is the leader of the lodge. I pass them, and they all seem to be involved and knowledgeable of martial arts. They make threatening gestures at me. I go on, and now I have a pipe. I get it lit from someone sitting and start puffing away on the pungent tobacco. Very nice. I’m standing on the corner smoking my pipe thinking of the elephant man.

When I wake up I start to think of this elephant man as a Ganesh figure, and draw a sketch of him in my journal. I don’t smoke, except the very occassional cigar (maybe one or two a year when hanging out with “the guys”). I used to smoke a pipe in high school. Haven’t touched one in quite awhile.

Come saturday I go out to see my friend Christian’s band, Mayan Ruins, play at Tribal Stomp IV at the Cincinnati Yoga School. I’d never been there before, but wasn’t surprised to learn it had been a Masonic Lodge in previous years. I’ve been to a few local lodges which have been repurposed as music venues or community centers.  Mayan Ruins plays great world-fusion, tribal psychedelica, and I hadn’t seen them in awhile. But opening up the event was Karen Johns, a kirtan singer who sang a number of mantras, accompanying herself with a wondrous drone on the harmonium. The last mantra-song segued into the Mayan Ruins set, as one by one the members of the band came on stage and joined her. Sure enough her last mantra was for Ganesh to Open the Ways of the evening. Again she asked the audience to participate, as many had already been doing with the previous mantras. The tuvan throat singer from Mayan Ruins stepped up first, and  deepened the trance with his harmonic overtones. Then the hand drummers came up and started tapping out rhythms. Christian welded it all together on his bass guitar, and another band member followed along the harmoniums line with her flute. It was gorgeous.

As I started to chant the Ganesh mantra I visualized the figure from my dream opening the ways for me in my life. I also thought of the tobacco connection, and how living on America soil, if I want to make contact with the spirits of the land, I might first be required to offer some tobacco to the native spirits to open the ways. I’m going on a camping trip with the guys in a few weeks, and was going to head to the local tobacconist to pick up a few cigars for the trip. I’ll also be picking up some tobacco which I can leave as offerings. In a dream, one of the great Gods of India came to my aid to help me open the ways to deeper communion with the spirits of the Miami Valley in Ohio. This is the kind of world-fusion I relish not only in music, but in magical praxis. Namaste.

Datacide: Magazine for Noise and Politics, “Issue Eleven”

Musick, Textuality | Posted by jmoore
May 30 2011

datacide1The articles in Datacide Eleven are just the sort of critical discourse, on subjects I am endeared to, that I have been hungering to read. When it came in the mail I nearly devoured it all in one sitting. After gorging I had to slow down, due to the density of the information, even though I’m used to binge reading. It was like stuffing down a big bowl of pasta only to groan later when it has expanded to the point of bloating. Expanding the brain instead of the gut is healthier in the long run, though it still takes time to digest and absorb. But when it comes to studying up on the culture of Reggae sound sytems, of pirate radio signals leaking out from the margins into the mainstream, the paranoid and the conspiracy ridden underpinnings of the Tea Party Movement, it is the kind of work I’m willing to do in order to lead a robust textual life.

The politics of the magazine are clearly activist oriented and of the left while the noise aspect of the magazine is far from the type created by Masami Akita, Emil Beaulieau, or William Bennet, just to be up front. The kind of noise to be found in these pages is predominantly dedicated to the various “steps” (breakstep, dubstep), the various “cores” (speedcore, noisecore, breakcore), gabber and the like. However other genres are touched upon, and not every article deals with music: some are just politics, like the article “The American Radical Right and the Rise of the Tea Party Movement,” while others combine musical and political subjects. There is a healthy dose of short fiction, quick and dirty record reviews, charts written up by people in the scene, and an interview with Steve Goodman, author of Sonic Warfare: Sound, Affect and the Ecology of Fear out from MIT press.

…read the rest on Brainwashed…

and be sure to check out Datacide.

156=Musick=Babalon=Kaos

Magick, Musick | Posted by jmoore
May 26 2011

156-musickIt gives me great pleasure to announce here that a project I have been a part of for a number of years, along with other memebers of the Hermaphroditic ChaOrder of the Silver Dusk, is available for pre-order, and will be released by the Polish label Zoharum on the Summer Solstice, June 21st 2011.

The project was Initiated amidst discussions among the artistical adepts in the Silver Dusks private email list. The idea was for any person involved who wished to participate to create several tracks of musick, and then send them to someone else in the nonhierarchical network to add additional layers of musick to. This process was repeated, with many individuals starting and finishing different tracks. Some originated in live jams when two or more members were physically present. After several years of starts and stops, and spore-addic activity on the project, the final pieces of the musickal puzzle were coagulated together in Oryelle Defenestrate-Bascules cauldron of wonder. My own contributions are included on several tracks so please check it out and pre-order a copy… be the Beast for this Babalon.

In the meantime here is some more enticing info for ya about the Work :

 ”The Silver Dusk’s 156 = Musick Project is an experiment of Process: Magickal Musick was recorded by members of The HermAphroditic ChAOrder of the SILVER DUSK -usually in ritual context or with invocational intent- then posted on CD to other member/s in another country for them to add more layers to. This continued progressively until completion.

The style of music ranges from neoclassical ambient orchestral multi-instrumental corroborations and layered electronic experimentations to simple primal ritual corroborees with sticks and bells and harmonious voices around a fire by the Hekate Tree.

Included are several live improvisations from when various members converged physically in different locales: From the initial 9-person onstage live jam of ‘She Shall Ride He’ in Melbourne Australia 2004 which launched the project synchronous with others starting tracks in the US and Korea, to the harmonics of the 12 participants in the EquiNOXULiuqE Circle in Hekate’s Grove in Seattle, Sept 2010.

156 is the number by Hebrew Qabbala of BABALON, the fiery Thelemic Goddess of Love and Lust, and also of KAOS, the 7-headed Beast on which She rides.

Contributor Kestral’s revelation that Musick (spelt with a k as Crowley spelt Magick with a k, to differentiate it from common stage magic and give it numerical significance as 418 =The Great Work) also = 156 was the inspiration for this CD’s title. Babalon was the primary deity invoked in many of the tracks herein, for Her passion is indeed akin to the mystery of music and the sonic majesty of an aural ‘apocalypse’ (meaning unveiling or revelation).

Kestral’s full formula of 156 as Musick will be outlined in the audio and extra text with the limited CDR that comes with only 156 of the copies of the project.

The HermAphroditic ChAOrder of the SILVER DUSK is an international network/webplay of artist-magickians, employing musick, visual arts, theatre, ritual, and various other multimedia as menstruums for earthing magical currents. A counterpoint (yet bridge) to the solar and structured magic of the The Hermetic Order of the Golden Dawn, the Silver Dusk employs a primarily intuitive, lunar and artistic apprehension of magic.

Orryelle Defenestrate-Bascule is a ChAOrder Magickian and Baphometic avatar dedicated to the reification of surrealism and the realization of magickal aesthethis via the multi-media of Art/s: Musick, drawing, ritual theatre, film, sculpture… Hailing from Australia, Orryelle travels, performs and exhibits art worldwide -though this will be his first time in Poland! He is an initiated Adinath Tantric, Aghori, Thelemite and Voudon Gnostic. He directs the Metamorphic Ritual Theatre Company, and even when performing solo while traveling, always incorporates elements of dance, theatre and ritual into his live musical performances. Primarily employing violin and voice, Orryelle also sometimes works with experimental electronic backing-tracks from various collaborators around the world. His shows are dynamic invocations, a combination of structured songs and spontaneous improvisations. Currently Orryelle is also working on ‘The Tela Quadrivium’ -a fourfold Alchemical book-web being progressively published by Fulgur Limited (UK) -so far Conjunctio (2008) and Coagula (2011) – http://www.fulgur.co.uk

He is also the creator of The Book of Kaos Tarot (iNSPiRALink. Multimedia Press). His publications and art prints will also be available at the live music and ritual theatre performances. ”

Check out the awesome flash video created by Kazim here:

http://www.crossroads.wild.net.au/156.html