Archive for the ‘Dream’ Category

The Dreamreader at the Library

Dream, Textuality | Posted by jmoore
Feb 05 2012

My wife Audrey and I are in our house. She wants to read a book I have. It is volume IX from a X volume set and she hasn’t read the other books. It’s a translation of a Japanese novel, by one Musakami, close to Murakami, but the “S” was prominent. I look into the book. The words are highly decorated. This text was printed beautifully. At the top of each page are interesting decorative pictures …a spider, a sword, a scroll… and other symbols. The book mentions “God” a lot, and I find this to be strange, coming from an Eastern source, especially as the God in question seems to be a Biblical one. The story is about a Ninja and as I read the book (together with my wife?), we watch a Ninja, fully covered and wrapped in black cloth, lightly treading through soft snow up a small mountain. The Ninja seemed to be a kind of monk.

Feelings: Surprise

Reality Check: I was having a slew of Japanese related literary dreams in 2010 to early 2011 (about Yukio Mishima among others), but this theme hasn’t come up for awhile. I guess it is saying, “Hey Justin, don’t forget about this thread of your inner life. It’s not over yet!” As a young boy I of course had a fondness for Ninjas… remember those Teenage Mutant Turtles?

The name in the dream, Musakami, is similar to Haruki Murakami whom I definitely want to read (and am reading now). Murakami’s novel’s A Wild Sheep Chase and Dance Dance Dance both have a lot of dream related stuff in them from what I hear.

~

So, the Haruki Murakami novel I wanted to read is checked out by another patron at the Public Library where I work. But now that I am a member of the Mercantile Library I look up Murakami in their catalog. Well, they don’t have A Wild Sheep Chase but they do have Hard Boiled Wonderland and the End of the World also on my reading list. I go get it on my lunch break and start reading it over a bowl of spicy white bean chili and rice. It’s very humorous. Each paragraph is like a stanza in a poem. The translator has obviously done an excellent job.

hardboiled1

The book contains two narrative threads, one the “Hard Boiled Wonderland” is about a data launderer, who washes information for clients by processing it from his right to left brain. He gets hired by a mysterious scientist who lives in a lab far beneath an office building. You take the elevator all the way down, go through a maze of bureaucratic hallways, then take a ladder down several stories, pass through some caves, go underneath a waterfall from the underground river into the scientists lair, where he is working on “listening to skulls”. He has learned how to resonate the skulls of humans and animals via some kind of acoustic measurements…and now he has a plan to erase sound from the world. He says this will aid our evolution, implying that it will perhaps help us get full blown telepathy. And evolution is never easy he says.

The second narrative is “The End of the World” which takes place in small mysterious town -presumably so far in the future it looks like the past -or at the edge (End ?) of the world. The narrator of this section comes to the town. Everyone in the town is given a job by the Gatekeeper. The character is to become the towns Dreamreader. He must go to the Library every night at sundown and read the “old dreams” stored in the Library.

…and that is about as far as I’ve gotten. But it certainly seems like my dreams were leading me to the write reading material, for inspiration on my own stories and more. I can’t wait to learn more about the Dreamreader and the “old dreams” he reads.

To become a Dreamreader the narrator had to undergo a procedure from the Gatekeeper. An initiation. The Gatekeeper takes a knife and heats it up in a fire. After it cools he stabs the man in both eyes, but this doesn’t hurt him. This helps him to read the old dreams, kept inside of skulls. The Librarian tells him how to do this, “Before your eyes the skull will glow and give off heat. Trace that light with your fingertips. That is how old dreams are read.”

russianunicornskull1The Dreamreader narrates, “Dreamreading proves not as effortless as she has explained. The threads of light are so fine that despite how I concentrate the energies in my fingertips, I am incapable of unraveling the chaos of vision. Even so, I clearly sense the presence of dreams at my fingertips. It is a busy current, an endless stream of images. My fingers are as yet unable to grasp any distinct message, but I do apprehend an intensity there.”

I relish reading more and seeing where the right and left brain converge, into one skull-story.

A Champion of the Soul

Dream | Posted by jmoore
Nov 04 2011

jameshillmanI thought the readers of this blog would want to know of the passing of psychologist James Hillman, who died on October 27 at 85 from complications with bone cancer.

Just the little I’ve read of his amazing work has had a profound and long term effect on me. Perhaps the most influential was when I was at Antioch college. I was in crisis mode. I was telling a counselor that I wanted to go into Psychology, except I was having issues with the head of the department who was a big behaviorist with a picture of B.F. Skinner hanging above his desk. The school counselor suggested I read Hillman’s book “We’ve Had a Hundred Years of Psychotherapy – and the World is Getting Worse” written in conversation with Michael Ventura. I never did read that one, and I never did study psychology in academic setting.  The teacher was very hostile towards Wilhelm Reich and Carl Jung, even at a radical school like Antioch. I dropped out after the term.
 
Later I did read “The Souls Code: In Search of Character and Calling” by Hillman which is basically his thoughts about the Daemon, or Holy Guardian Angel if that’s your preference of terms. It was excellent. In it he talked about various well known individuals early lifes, and how by looking into them, the pattern, as set out by the daemon, for a persons life work could be seen in these early experiences. I still have “The Dream and the Underworld” sitting on one of my bookshelves awaiting attention. I’m sure it is essential reading for aspiring Oneiromancers.
 
In the New York Times obituary of Hillman they quoted him from 1976:
“Some people in desperation have turned to witchcraft, magic and occultism, to drugs and madness, anything to rekindle imagination and find a world ensouled. But these reactions are not enough. What is needed is a revisioning, a fundamental shift of perspective out of that soulless predicament we call modern consciousness.” 
 
Gyrus wrote of this, over on his Dreamflesh blog, “However else Hillman has inspired me—and he’s inspired me very deeply—I just have to admire someone for whom witchcraft, magic, occultism, drugs and madness are ‘not enough’. Obviously he didn’t take the path of trying all of these and going through the other side. And obviously I don’t agree with him if he’s dismissing them outright (I don’t think he is). But it’s an important message for all of us mad druggie occultists. Something more is necessary.” 

Eric Clarke and I had a good chat about James Hillman at the Esoteric Book Conference after party. Eric emphasized how James Hillman wasn’t into the “victimization” that is part of so much modern day therapy and New Age fluff. In a review of “One Hundred Years of Psychotherapy…” the Library Journal wrote that Hillman “contend(s) that therapy encourages self-preoccupation, leaving no attention or energy for the woes of the outside world. Similarly, the ‘inner child’ movement has created a population of self-centered, juvenile adults who feel they have little power. Political apathy, a dying environment, and an inability to form real relationships are among the ills resulting from this solipsism.” Rather than fall back on endless hours of therapy and introspection people can pick themselves up and set about doing the real work, based on the call of their daemon, that will change themselves and this world. By writing this I’m not dismissing the validity of soul retrieval and our inner young ones. These aspects need to get reintegrated. Health is the goal -and a return to meaningful work and life, not an endless round of sessions delving into troubled pasts, which in many instances seems to prevent people from moving forward. A good therapist would be one you don’t need to see forever.
James was also an adept dream teacher. His most famous words for dream interpretation were “Stick with the image”. Don’t over-interpret the image. Carry the image with you. It has its own energy and is its own interpretation.

James Hillman was a champion of the imagination and the soul. His tireless work aimed at the reenchantment of this world.

Visiting Iceland Again

Dream | Posted by jmoore
Oct 29 2011

reykjavik-iceland

I am visiting Iceland again. My wife Audrey is with me. When we get to the country, we make our way to a hotel where we’ll be staying. The lady who is the concierge cannot check us in until around 5pm, so we set our stuff down, and are going to walk around the city. But I get distracted by an art gallery showing inside the hotel. I go over to the wall and look at the pieces. One is a clock. The curator comes over to me and is wanting to sell me this piece for several thousand dollars. I don’t have that kind of money: especially on a trip to a foreign country. Besides I tell him, “I like this piece better” pointing to a painting on a board above the clock.

 

Then I find Audrey and we plan to go out walking around the town. I ask the concierge “How late do things stay open here?”

She tell’s me “Not very late”.

 

We get going walking around the city. The sun is up, but for not that long. It must be because we are in the far north. I make a phone call to my Dad, “We are up in the Arctic Circle!” I’m very excited. Then I’m talking to some other people back home and they we’re asking what city we were in, “Reykjavik!” I tell them proudly.

 

The city is awesome. The buildings are beautiful…some are up on a ridge above the harbor….

 

Feelings: Like I was there…

 

Reality Check: I have never been to Iceland. It is one of my “dream” trips I’d love to make in this life. I have however dreamed of the country a lot. I’ve read some of the Poetic & Prose Eddas (primary sources for the Icelandic/Scandinavian mythos) & studied various aspects of the country’s history and life there, but wasn’t thinking about Iceland at all yesterday or last night before going to bed. Had no intention for my dreams. I also had synchronicities involving Iceland during the research for my talk on “The Library Angel & It’s Oracle” at the Esoteric Book Conference this past September.

 

Action: See what’s going on in Iceland today (read any recent news stories…) Eventually go there. Perhaps look into hotels & art galleries there…

 

Banner: It feels good above the Arctic Circle.

Dream Journaling Prevents Writers Block

Dream | Posted by jmoore
Sep 23 2011

Seth Godin had an interesting post up this morning about how no one ever gets “Talkers Block“, and yet writers block is endemic. I agree with the basics of his post, including the part about putting your work out in the public. But I think the greatest tool for preventing writers block is something that in many cases needs to remain private. Not that we don’t share from our journal on occasion, but that we have a private place to go to write every day. As humans, we dream every night. And when we remember our dreams this is fresh material to get our writers hands warmed up with.  New material is delivered straight into our mental inbox every morning. Transcribing it into a journal or diary is one of the best ways to get our creative juices flowing.

verisimilitudeFurthermore, keeping a journal is a great practice for ordering our inner and outer worlds. My own diaries stretch back to the time I was in the sixth grade, or twelve years old. These have become treasure troves and galaxies of imagery waiting for me to tap when I need some clue, information, or direction. Over a long period of time these journals start become pregnant and are ready to give birth to writings that we will share with the world.

Improvements in quality and verisimilitude will arise naturally from this most essential of practices.

The Chariot of Creation

Dream, Magick | Posted by jmoore
Jul 08 2011

chariothothHere is an account of the recent New Moon working I did on July 1st, 2011. I awoke with the following dream, itself part of a longer astral narrative from the night: The Chariot of Creation
I am with Robert Moss in a room. We are both dreaming of books and practicing an exercise of going into a dream (inside the dream), to read a text and copy it while in a trance state, to our notebooks. In my dream I see a grid, like graph paper, with various Hebrew letters: Cheth, Resh, and Tau. I take them to mean, CREATE. I copy the grid down… then I have a plastic grid in my hands with lines of webbing between the squares. I can poke holes through the webbing. There is another large block of text, something in English which I want to copy but it is too much. I tell Robert it would be nice to have some shamanic drumming to aid us in re-entering the dream, but he didn’t bring his frame drum and he would want someone else to do the drumming while we journey.
 
The dream narrative, winds around to some other subjects. On waking, after writing it all down in my journal, I’m having my morning tea and checking my email. Reminded by Shade’s lovely work on the HML calendar that it is the New Moon. Also Aion’s post about the New Moon/Solar Eclipse and beginning of the Dog Days. The New Moon was in Cancer, and this made sense to me as I hand considered Cheth and it’s associations to the Chariot card, and Cancer. Looking at the letters from my dream I thought that perhaps Cheth, Resh and Tau could be a transliteration into English for the main letters in CHARIOT. In Hebrew there are no vowels after all. After I started uploading the podcast I danced and did the Rite of Children. It was joyous and filled with energy. I focused on sending energy to my Grandson, and also to a young kid I had seen in the library often who looked to be neglected, but also to all children everywhere. After the rite, I decided I would lay down and go into the Chariot card for a pathworking/meditation. I visualized the Thoth version of this trump and “became” the armored knight whom I saw as a “Guardian of the Grail”. In my visionary state I realized this armored knight not only guarded the grail from those who would misues its power, but also offered the grail to the destitute and those who needed to drink of its life. Later in the day I wrote the following poem musing on all this:
 
The Chariot of Creation,
is fueled by a Cauldron
a Grail whose Guardian
steers the whirling vortices of bubbling energy,
a Brew of Bitter Blood Born to Babalon

Drink and flood your mind with visions
of Cherubim prisms
the Eagle, the Lion, the Bull, and the Man
tethering the Mercurial Ba
Feathers on the wings of the rising Ka
soar upwards to the height of heavens
and fill the Grail anknew…
 
to complete the sequence I plan to do pathworkings for Resh and Tau, the Sun and Universe. When I have completed those I will post my findings.

Of Ganesh and Tobacco Offerings

Dream, Musick | Posted by jmoore
May 31 2011

ganesh_pipeOn May 25th I went to sleep with the intention of making contact with the local spirits of the land. This is part of my ongoing work to tune in to the genius loci of the land I live on. Around 2 AM I awoke from dreams about Wesleyean Cemetery where my wife and I had walked earlier in the preceding evening, for the first time. Next I found myself walking down a street. I see a bunch of Asian people standing in front of a building, which I take to be a kind of lodge. Then I see a man in a suit with an old gnarled elephant head, with a hat on, and smoking a pipe. He walks past and gives me a very strange look. I think that the people outside the lodge are part of the Elephant mans group -he is the leader of the lodge. I pass them, and they all seem to be involved and knowledgeable of martial arts. They make threatening gestures at me. I go on, and now I have a pipe. I get it lit from someone sitting and start puffing away on the pungent tobacco. Very nice. I’m standing on the corner smoking my pipe thinking of the elephant man.

When I wake up I start to think of this elephant man as a Ganesh figure, and draw a sketch of him in my journal. I don’t smoke, except the very occassional cigar (maybe one or two a year when hanging out with “the guys”). I used to smoke a pipe in high school. Haven’t touched one in quite awhile.

Come saturday I go out to see my friend Christian’s band, Mayan Ruins, play at Tribal Stomp IV at the Cincinnati Yoga School. I’d never been there before, but wasn’t surprised to learn it had been a Masonic Lodge in previous years. I’ve been to a few local lodges which have been repurposed as music venues or community centers.  Mayan Ruins plays great world-fusion, tribal psychedelica, and I hadn’t seen them in awhile. But opening up the event was Karen Johns, a kirtan singer who sang a number of mantras, accompanying herself with a wondrous drone on the harmonium. The last mantra-song segued into the Mayan Ruins set, as one by one the members of the band came on stage and joined her. Sure enough her last mantra was for Ganesh to Open the Ways of the evening. Again she asked the audience to participate, as many had already been doing with the previous mantras. The tuvan throat singer from Mayan Ruins stepped up first, and  deepened the trance with his harmonic overtones. Then the hand drummers came up and started tapping out rhythms. Christian welded it all together on his bass guitar, and another band member followed along the harmoniums line with her flute. It was gorgeous.

As I started to chant the Ganesh mantra I visualized the figure from my dream opening the ways for me in my life. I also thought of the tobacco connection, and how living on America soil, if I want to make contact with the spirits of the land, I might first be required to offer some tobacco to the native spirits to open the ways. I’m going on a camping trip with the guys in a few weeks, and was going to head to the local tobacconist to pick up a few cigars for the trip. I’ll also be picking up some tobacco which I can leave as offerings. In a dream, one of the great Gods of India came to my aid to help me open the ways to deeper communion with the spirits of the Miami Valley in Ohio. This is the kind of world-fusion I relish not only in music, but in magical praxis. Namaste.

On Bridges and Bards

Dream | Posted by jmoore
May 20 2011

cov-newport-bridge“A bard will be three things, namely: a chief and a bridge, being resembled to a bridge, because he conveys over the morass of ignorance; security where there is insecurity, because there will be no weapon against him or his fellow traveler; and a privilege for the unpriveleged, that is, his protection. Accordingly it is said: he who would be chief, let him be a bridge; he who would be a bridge, let him be a Bard; from being a Bard, let him be a chief; from being a chief let him be a bridge.”

This is from the book Barddas; or a collection of original documents, illustrative of the theology, wisdom, and usage of the Bardo-Druidic System etc. etc. with notes by the Rev. J. Williams, of Wales. The Welsh Gaelic is on one side of the page, the English on the other. I was looking for one book and opened up this one instead at random to the passage above.

At the beginning of the year I had a dream that I was baking a bridge. This to me is all about waking the sleeping king. And being a King, or Bard, or Chief is not about power-over, but power-with, being that bridge, between ideas, worlds, people.

*Picture above is of the Roebling Suspension Bridge between Cincinnati and Covington.

The Lions of Dreamland

Dream, Textuality | Posted by jmoore
Apr 12 2011

active_dreamingThis book could have just as easily been called “Community Dreaming”, and therein lies its strength. I see it as a sequel to one of his previous books “The Three Only Things: Tapping the Power of Dreams, Coincidence, and Imagination”. Where that book gave the individual a useful toolkit for opening themselves up to the deeper workings of the multidimensional universe, “Active Dreaming” sets the stage for taking those personal journeys out into the community. This is of great importance. In doing so, Robert is gently helping people reach out to and create something he calls, “The Place of the Lion”. What is the Place of the Lion? Through one of the stories Robert tells he shows that it is a place of “wild freedom” where a person can see past the limiting consensual hallucinations which have placed cages around and bars around what humanity thinks is possible.

The book is filled with inspiring stories and practical exercises. Personally, my favorite section is the appendix, “Dreamland: Documents of a Possible Future.” This dreamland has nothing to do with Area 51 (thank goodness), but shows a neutral society, or “Switzerland of the Mind” which has come into existence after a technological Singularity wreaks soul loss and ecocide across the planet. The Priestess-Scientists who guide this community are using the power of dreams to help repair the planet. This book will certainly benefit those who take the time to not only read it, but work with the material laid out in its pages. It is accessible to the beginner in dreamwork, while also giving some new games to the frequent fliers who have already been playing at this stuff for awhile. Coming from one of my favorite publishers, the dream elucidated between these covers really does give a road map to a New World.

Viral Emissions: The Work of Nigel Ayers

Dream | Posted by jmoore
Mar 28 2011

Nigel AyersI had the following dream on October 18th, 2009 while on my honeymoon in Maine.

Nocturnal Emissions Tribute
I am at home in Cincinnati. I am part of a Nocturnal Emissions tribute show that is going to happen at the Southgate House. In fact, I have to go to a meeting in the parlour of the Southgate House to discuss the show with other people involved. My friends Paul Bartley, Andrew Hissett and I will be performing one of cover versions of a Nocturnal Emissions song. Inside the parlor we talk about the logistics of having the Nocturnal Emissions tribute.

Then my wife and I are sitting on a park bench talking to a guy named Adam who works at the library with me. I call him Adam West, though I’m thinking of Herbert West. He is talking to me about the Nocturnal Emissions tribute show. He says, “You guy’s sounded good. Especially your keyboard part, the pattern you copied from my keyboard.” Images of going to his apartment to copy some code from his keyboard into my Korg MS2000 fill my mind. I am excited about the feedback.

It seems there was a tribute CD put together as well and a book. Nigel Ayers has come into town for for a release party associated with the cd/book. I am at the release party. People are talking about the book. Andy Hissett and I flip through it, really surprised by some of the contributors, such as Metallica, and other even more mainstream people. It is laid out in a very graphic, collage style. I point at the cover and say, “It looks like it was designed by R. Crumb” the famous comic artist. Adam is quick to point out that it wasn’t R. Crumb but another “crumb” who draws in a similar style and may even be a pen name of Crumb’s. Inside the tribute book is a book of R. Crumb’s comics about roots / blues / country musicians. I want to buy a copy of the tribute book. There are two versions. One is an oversized folio and is signed by Nigel Ayers. The other is octavo sized. I look at the octavo: it is made up of loosely bound cards, flexi vinyl discs, and other bric a brac. The folio is the same, but the flexi discs in it are so oversized I don’t think I’ll be able to put them on the turntable. So I decide to buy the small one and ask Nigel to sign it for me. It’s twenty bucks.

Then Nigel and I get to talking. I tell him I want to review the book for Brainwashed, “after I’ve had time to sit with it,” I say. He understands. I explain to him, “I reviewed your Nightscapes album.” He seems appreciative.

The book is held together by elastic bands going through a hole in one corner of the hard board. Holding it, it turns into a bracelet, made up of over-the-counter style drug packets, pill holders, the kind that are cased in plastic and foil, that you have to punch the foil out to get to the pill. This is an accessory that Nigel made to come with the book. Nigel says to me, “I’m a multimedia artist. I don’t limit myself to specific forms, only to what needs to be created.” He is a writer, musician, video and visual artists.

About a year after this dream I finally got in touch with Nigel. I shared the dream with him, and then I asked him if he would do an interview with me. The interview is finally done and is up now on Brainwashed.

I’ve also reviewed his recent album “In Dub Volume 1,”  and the  ‘zine he produced between 1990 and 1999, “Network News” which is now available as a print-on-demand trade paperback.

This dream also inspired some of my own work in another area. After having it I begin to obsess over “multidimensional art”.  Last winter I’d planned on writing a Manifesto of Multidimensional Art, or MOMA. I wrote some notes down, but nothing came of it, and yet the idea and desire to write it never left my mind. Somehow, at the beginning of march I was infused with an upsurge of inspiration (Thank you Mnemosyne).  Once I saw the way to structure the manifesto -in the pattern of the Qabalistic Tree of Life- writing it came easily. It is now available in the Spring Equinox edition of Silver Star: A Journal of New Magick. Shade, the editor, also published my poem Earth Goddess.

Image above is of Nigel Ayers.

A Drink for Dream Archeaologists

Dream | Posted by jmoore
Mar 12 2011
chateau_jihauWhen on a whim I popped open “Uncorking the Past”, a book about ancient alcoholic beverages, I hadn’t counted on the possibility of slipping into the world of Neolithic Chinese shamanism. Nor had I expected to learn about how a dream inspired the label for a brew released by Dogfish Head, a recreation of the worlds oldest alcoholic beverage dug dug up by a team led by biomolecular archaeologist Patrick E. McGovern, who wrote the book. But such are the gifts of the Library Angel.
The discoveries have sprung up from Jiahu, an ealy Neolithic site in the Henan province of North Central China. Among the things discovered at the site were instruments made from shell, flutes, bones, and drinking vessels. Chemical analysis of the residue put the historians on a path of research leading to the scientific literature, and further study to investigate what plants were in the area at the time in the field. What they were able to conclude was that the people in the region brewed and drank a complex beverage consisting of a “grape and hawthorn-fruit wine, honey mead, and rice beer.” The author then speculates on how this beverage may have played an important role in a “shamanistic funeral feast associated with the musicians of Jiahu”, though he also surmises the imbibing of the beverage to be widespread throughout the community. They had just discovered the a drink 9,000 years old. 
    
After a bit of media hype they started thinking about bringing the old drink back to life. With the help of Sam Calagione, owner and brewer of Dogfish Head, and his experimental brewer Mike Gerhart, they were able to recreate the heady liquid.  But only after facing many challenges, false starts, and near misses. Later with the help of another Dogfish Head brewer, they tweaked the formula to give it a sweet and sour flavor, to match Chinese food. It was during this time when “Sam had slipped into shamanistic revelry. He recounted a dream in which a naked Chinese Neolithic girl, with long hair flowing down her back and buttocks, had approached him with the beverage.” Acting on the dream he commisioned designer Tara Macpherson to create the label (attached below). The designer had “placed a seemingly enigmatic tatoo, which had also been part of Sam’s dream, on the lower back of the the celebrant” gracing the label. The sign is the Chinese word for “wine”. The brew was named Chateau Jiahu, and it’s gone through a few incarnations. My own action plan based on this sequence of events is to find a bottle of the liquid past and crack it open.  
Source: Uncorking the Past: The Quest for Wine, Beer, and Other Alcoholic Beverages by Patrick E. McGovern.